Tucked behind a canopy of heritage oaks in Montecito’s Upper Village, The Erving House is a rare architectural treasure—one that fuses sculptural modernism with native California landscape in a way few homes ever have. Designed in 1950 by pioneering architect Lutah Maria Riggs and shaped in concert with legendary landscape architect Thomas Church, this 2.7-acre estate is a living dialogue between building and land—an early and extraordinary expression of indoor-outdoor living.
Riggs—Santa Barbara’s first licensed female architect and a quiet icon of the California modernist movement—crafted a design that lifts lightly from the earth. Time magazine once called the home a “glass tent,” a description that still resonates in the soaring, light-filled volumes and walls of glass that dissolve into curated landscape.
Church, meanwhile, brought his signature “California Living” ethos to the grounds—embracing asymmetry, native plants, and a philosophy that gardens should be lived in, not merely looked at. Recently restored by Susan Van Atta in homage to Church’s original work, the landscape flows through lavender fields, fruit orchards, raised beds, and a bocce court—each element both functional and deeply beautiful.
A meandering private drive leads to a serene motor court and flat-roofed carport. Enter through a covered walkway into a double-height glass foyer, where your eye is pulled immediately to the coastal mountains beyond. The main living space—with its dramatic pitched ceiling and biomorphic Santa Barbara stone fireplace—anchors the home in elemental materiality and grace.
The primary suite offers tranquil garden views, dual dressing rooms, and a spa-like bath. A Poggenpohl kitchen and formal dining area are designed for both function and flow. Two additional structures—a detached studio and a private one-bed, one-bath guesthouse, on the banks of a ravine—expand the estate’s versatility and sense of retreat.
What makes The Erving House truly rare is not just its design pedigree—it’s the integrity of its vision. Riggs once described her role as creating “a frame for living,” and this home is perhaps her most poetic example. A testament to restraint, intention, and sensitivity to setting, this is more than a residence—it’s an enduring chapter in Montecito’s architectural story.
Listed at $17,975,000, The Erving House is offered now for the first time in a generation—a singular opportunity to own one of California’s most quietly significant homes. For more information, or to schedule a private in-person tour, contact The Ebbin Group at (805) 400-3424 or [email protected].
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Sponsored by The Ebbin Group (DRE# 01488213).

















Recent Comments
Is there info on how long the intersection will be closed to apply this decoration? — Christine!
I think the street art looks cool and it’s not like the grant money could be used for other purposes. I’m grateful for whoever organized… — Sean
one more comment,, that space always screamed beer garden to me. or Big Star Taco in Wicker Park. more open space to enjoy ocean breeze...… — Dean Carter
Good start. Nice homage to the roof and flower shop... not that either of those were architectural standouts on CVR. More seating/stucture moved to front/parking… — Dean Carter
Agreed, this building does not cohesively fit on the street. It may be bold and striking, but also completely out of place for Coast Village… — Marc
I like the addition. I believe when it's built, he should invite The Bottle Shop to open a space below. That would be the only… — Taylor Hunt
Agree 100%. Attractive in itself but not plonked down on CVR. Does not fit in at all with the local-and-cozy-but-sophisticated look of the other retail… — Dana
Where's the "it's not in Montecito" comments? For looks really good in these photos! — Don
Loving this for Montecito! Net Zero and LEED Gold (plus-plus) aside, the design is striking, well-thought-out, and a nice departure from the same-same outdated architecture… — Vince
I've provided input to the CV Road for nearly 50 years working with developers as a Designer/Broker. We do have an assortment of styles and… — Maryanne Brillhart